A Gust of Wind Knocks Off My Hat

A Gust of Wind Knocks Off My HatJack says: In August 2025, we spent three days at JB's studio. An old cottage on Yugambeh country, nestled deep in the winding hills and bushland. Cows mooed in the morning, dogs barked in the afternoon, and the rhythm of not so distant road trains and motorbikes kept us company all day through. We recorded live takes late into the evenings, broken by warm dinners around the fire and listen throughs on the porch. Claud and Anna first heard (most of)

Easing Out of Control finds the trio continuing to blur the lines between DZ Deathray’s blistering rock origins and more nuanced

spanning the horrors of both today and tomorrow

By the end of the record

electronic flourishes and beyond

relatable appraisals of what it means to be human: after burning a batch of celebratory pizza scrolls on “Baby Shower”

Honouring both the places of their cultural heritage and the land they were born into and continue to grow within

vulnerable art

From the dreamlike yearning of Gone with the Wind and Pretty Little Thing to the grounded intimacy of I’ll Find My Way and My Honey’s Blues

The culmination of house parties and too much fun at festivals

'Loveday No

Liam Judson

along with a subsequent complete recording at Troy Horse Studios which bridges the gap between the “Max” and “Size Of The Ocean” albums